ISRC
St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”
Song: Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
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NLA509712741 is the International Standard Recording Code (ISRC) for the recording “St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”” by John Mark Ainsley, Katsunori Kono, Kazuhide Omori, Makoto Narita, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa, released 2025-12-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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NLA509712741 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”” by John Mark Ainsley, Katsunori Kono, Kazuhide Omori, Makoto Narita, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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NLA509712741 is the International Standard Recording Code (ISRC) for the recording “St. Matthew Passion, BWV 244 - Part Two: no. 41 Evangelist, Judas, Chorus I/II, Pontifex I/II: “Des Morgens aber hielten alle Hohepriester”” by John Mark Ainsley, Katsunori Kono, Kazuhide Omori, Makoto Narita, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa, released 2025-12-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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