ISRC
La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)
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NLA508810955 is the International Standard Recording Code (ISRC) for the recording “La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)” by Hans Peter Blochwitz, Barbara Hendricks, Douglas Johnson, Eva Lind, Siegfried Lorenz, Ann Murray, Andreas Schmidt, Christine Schornsheim, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier, released 1991-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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NLA508810955 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)” by Hans Peter Blochwitz, Barbara Hendricks, Douglas Johnson, Eva Lind, Siegfried Lorenz, Ann Murray, Andreas Schmidt, Christine Schornsheim, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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NLA508810955 is the International Standard Recording Code (ISRC) for the recording “La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)” by Hans Peter Blochwitz, Barbara Hendricks, Douglas Johnson, Eva Lind, Siegfried Lorenz, Ann Murray, Andreas Schmidt, Christine Schornsheim, Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier, released 1991-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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