ISRC
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 18a Evangelist, Pilatus, Jesus: Da sprach Pilatus zu ihm / Nr 18b Chorus: Nicht diesen, sondern Barrabam! / Nr. 16c Evangelist: Barrabas aber war ein Mörder
Song: Johannes-Passion, BWV 245: Teil II. No. 18 "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus, Chorus)
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NLA508701718 is the International Standard Recording Code (ISRC) for the recording “Johannes-Passion, BWV 245: Zweiter Teil, Nr. 18a Evangelist, Pilatus, Jesus: Da sprach Pilatus zu ihm / Nr 18b Chorus: Nicht diesen, sondern Barrabam! / Nr. 16c Evangelist: Barrabas aber war ein Mörder” by Gothart Stier, Robert Holl, Andreas Scheibner, Rundfunkchor Leipzig, Peter Schreier, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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NLA508701718 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Johannes-Passion, BWV 245: Zweiter Teil, Nr. 18a Evangelist, Pilatus, Jesus: Da sprach Pilatus zu ihm / Nr 18b Chorus: Nicht diesen, sondern Barrabam! / Nr. 16c Evangelist: Barrabas aber war ein Mörder” by Gothart Stier, Robert Holl, Andreas Scheibner, Rundfunkchor Leipzig, Peter Schreier. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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NLA508202302MDR Rundfunkchor Leipzig, Staatskapelle Dresden, Peter Schreier
NLA508202303NLA508701718 is the International Standard Recording Code (ISRC) for the recording “Johannes-Passion, BWV 245: Zweiter Teil, Nr. 18a Evangelist, Pilatus, Jesus: Da sprach Pilatus zu ihm / Nr 18b Chorus: Nicht diesen, sondern Barrabam! / Nr. 16c Evangelist: Barrabas aber war ein Mörder” by Gothart Stier, Robert Holl, Andreas Scheibner, Rundfunkchor Leipzig, Peter Schreier, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
