ISRC
NLA508305612
Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"
Song: Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"
Last verified:
NLA508305612 is the International Standard Recording Code (ISRC) for the recording "Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"" by Gerhard Eder, Peter Jelosits, Solist der Wiener Sängerknaben, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer, Chorus Viennensis, Wiener Sängerknaben, released 1984-03-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T9220615463.
Format
- Country:
- ISO 3166-1 alpha-2 country code (NL).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (1983):
- Last two digits of the reference year (1983). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
Musical Work (ISWC)
T9220615463Mass no. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"Verified on
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What is ISRC NLA508305612?
NLA508305612 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"" by Gerhard Eder, Peter Jelosits, Solist der Wiener Sängerknaben, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer, Chorus Viennensis, Wiener Sängerknaben. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T9220615463, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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