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String Quartet in E-flat, op. 12: 1. Adagio ma non troppo – Allegro non tardante album cover

ISRC

NLA508016905

String Quartet in E-flat, op. 12: 1. Adagio ma non troppo – Allegro non tardante

Song: String Quartet no. 1 in E-flat major, op. 12: I. Adagio non troppo – Allegro non tardante

Orlando Quartet
Released 1987-01-01

Last verified:

NLA508016905 is the International Standard Recording Code (ISRC) for the recording “String Quartet in E-flat, op. 12: 1. Adagio ma non troppo – Allegro non tardante” by Orlando Quartet, released 1987-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
80Year (1980)
16905Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1980):
Last two digits of the reference year (1980). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "String Quartet in E-flat, op. 12: 1. Adagio ma non troppo – Allegro non tardante" by Orlando Quartet?
The ISRC for "String Quartet in E-flat, op. 12: 1. Adagio ma non troppo – Allegro non tardante" by Orlando Quartet is NLA508016905.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508016905?

NLA508016905 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “String Quartet in E-flat, op. 12: 1. Adagio ma non troppo – Allegro non tardante” by Orlando Quartet. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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