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Le Carnaval des Animaux, R. 125: Pianistes album cover

ISRC

NLA508015111

Le Carnaval des Animaux, R. 125: Pianistes

Song: Le Carnaval des animaux : XI. Pianistes

Patricia Prattis JenningsJoseph VillaPittsburgh Symphony OrchestraAndré Previn
Released 1994-01-01

Last verified:

NLA508015111 is the International Standard Recording Code (ISRC) for the recording "Le Carnaval des Animaux, R. 125: Pianistes" by Patricia Prattis Jennings, Joseph Villa, Pittsburgh Symphony Orchestra, André Previn, released 1994-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
80Year (1980)
15111Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1980):
Last two digits of the reference year (1980). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le Carnaval des Animaux, R. 125: Pianistes" by Patricia Prattis Jennings?
The ISRC for "Le Carnaval des Animaux, R. 125: Pianistes" by Patricia Prattis Jennings, Joseph Villa, Pittsburgh Symphony Orchestra, André Previn is NLA508015111.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA508015111?

NLA508015111 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Le Carnaval des Animaux, R. 125: Pianistes" by Patricia Prattis Jennings, Joseph Villa, Pittsburgh Symphony Orchestra, André Previn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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