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ISRC

NLA507809304

Musical Offering: Canon 2, a 2, violini in unisono

Song: Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono

Iona BrownRoger GarlandStephen ShinglesAcademy of St Martin in the Fields
Released 1990-01-01

Last verified:

NLA507809304 is the International Standard Recording Code (ISRC) for the recording "Musical Offering: Canon 2, a 2, violini in unisono" by Iona Brown, Roger Garland, Stephen Shingles, Academy of St Martin in the Fields, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
78Year (1978)
09304Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1978):
Last two digits of the reference year (1978). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Musical Offering: Canon 2, a 2, violini in unisono" by Iona Brown?
The ISRC for "Musical Offering: Canon 2, a 2, violini in unisono" by Iona Brown, Roger Garland, Stephen Shingles, Academy of St Martin in the Fields is NLA507809304.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507809304?

NLA507809304 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Musical Offering: Canon 2, a 2, violini in unisono" by Iona Brown, Roger Garland, Stephen Shingles, Academy of St Martin in the Fields. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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