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Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre album cover

ISRC

NLA507521017

Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre

Song: Béatrice et Bénédict : Acte II. No. 10 Air « Dieu ! Que viens‐je d’entendre ? »

London Symphony OrchestraSir Colin Davis
Released 2003-01-01

Last verified:

NLA507521017 is the International Standard Recording Code (ISRC) for the recording "Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre" by London Symphony Orchestra, Sir Colin Davis, released 2003-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
75Year (1975)
21017Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1975):
Last two digits of the reference year (1975). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre" by London Symphony Orchestra?
The ISRC for "Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre" by London Symphony Orchestra, Sir Colin Davis is NLA507521017.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA507521017?

NLA507521017 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Béatrice et Bénédict : Acte II. Non ! Que viens-je d'entendre" by London Symphony Orchestra, Sir Colin Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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