ISRC
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, o bel Masetto” (Zerlina) / Recitativo “Guarda un po’ come seppe questa strega” (Masetto, Don Giovanni, Zerlina)2
Song: DON GIOVANNI SUITE (FROM THE OPERA; ARR: FOR WIND ENSEMBLE
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NLA507300812 is the International Standard Recording Code (ISRC) for the recording “Don Giovanni: Atto I. No. 12 Aria “Batti, batti, o bel Masetto” (Zerlina) / Recitativo “Guarda un po’ come seppe questa strega” (Masetto, Don Giovanni, Zerlina)” by Richard van Allan, Mirella Freni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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MLC Song Code
NLA507300812 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Don Giovanni: Atto I. No. 12 Aria “Batti, batti, o bel Masetto” (Zerlina) / Recitativo “Guarda un po’ come seppe questa strega” (Masetto, Don Giovanni, Zerlina)” by Richard van Allan, Mirella Freni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Royal Philharmonic Orchestra, Sir Colin Davis
GBAYD9600153Mirella Freni, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan
GBF077440528NLA507300812 is the International Standard Recording Code (ISRC) for the recording “Don Giovanni: Atto I. No. 12 Aria “Batti, batti, o bel Masetto” (Zerlina) / Recitativo “Guarda un po’ come seppe questa strega” (Masetto, Don Giovanni, Zerlina)” by Richard van Allan, Mirella Freni, Ingvar Wixell, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
