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ISRC

NLA505500092

Don Giovanni, K. 527: Act 2: "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"

Song: Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)

Hilde ZadekWiener SymphonikerRudolf Moralt

Last verified:

NLA505500092 is the International Standard Recording Code (ISRC) for the recording "Don Giovanni, K. 527: Act 2: "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"" by Hilde Zadek, Wiener Symphoniker, Rudolf Moralt. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A50Registrant
55Year (1955)
00092Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1955):
Last two digits of the reference year (1955). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Don Giovanni, K. 527: Act 2: "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"" by Hilde Zadek?
The ISRC for "Don Giovanni, K. 527: Act 2: "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"" by Hilde Zadek, Wiener Symphoniker, Rudolf Moralt is NLA505500092.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA505500092?

NLA505500092 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Don Giovanni, K. 527: Act 2: "Non mi dir, bell'idol mio" - "Ah si segua il suo passo"" by Hilde Zadek, Wiener Symphoniker, Rudolf Moralt. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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