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Concertino for Viola and Orchestra: II. Andante cantabile album cover

ISRC

NLA460915054

Concertino for Viola and Orchestra: II. Andante cantabile

Dana ZemtsovPhion Orchestra of Gelderland & OverijsselShizuo Kuwahara
Released 2022-02-10

Last verified:

NLA460915054 is the International Standard Recording Code (ISRC) for the recording "Concertino for Viola and Orchestra: II. Andante cantabile" by Dana Zemtsov, Phion Orchestra of Gelderland & Overijssel, Shizuo Kuwahara, released 2022-02-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

NLCountry
A46Registrant
09Year (2009)
15054Designation
Country:
ISO 3166-1 alpha-2 country code (NL).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concertino for Viola and Orchestra: II. Andante cantabile" by Dana Zemtsov?
The ISRC for "Concertino for Viola and Orchestra: II. Andante cantabile" by Dana Zemtsov, Phion Orchestra of Gelderland & Overijssel, Shizuo Kuwahara is NLA460915054.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC NLA460915054?

NLA460915054 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concertino for Viola and Orchestra: II. Andante cantabile" by Dana Zemtsov, Phion Orchestra of Gelderland & Overijssel, Shizuo Kuwahara. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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