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Eres mi religión album cover

ISRC

MXF152100139

Eres mi religión

Song: ERES MI RELIGION

ManáJoy
matched
Released 2021-05-07

Last verified:

MXF152100139 is the International Standard Recording Code (ISRC) for the recording "Eres mi religión" by Maná, Joy, released 2021-05-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOSE FERNANDO EMILIO OLVERA SIERRA.

Format

MXCountry
F15Registrant
21Year (2021)
00139Designation
Country:
ISO 3166-1 alpha-2 country code (MX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOSE FERNANDO EMILIO OLVERA SIERRAComposer
TULUM MUSIC OriginalPublisher0.00%
WC MUSIC CORP. RightsAdministrator100.00%IPI: 00392888203

Who publishes this song?

TULUM MUSICOriginalPublisher
WC MUSIC CORP.RightsAdministrator
IPI: 00392888203

MLC Song Code

E1874D
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Eres mi religión" by Maná?
The ISRC for "Eres mi religión" by Maná, Joy is MXF152100139.
Who wrote "Eres mi religión"?
"Eres mi religión" was written by JOSE FERNANDO EMILIO OLVERA SIERRA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC MXF152100139?

MXF152100139 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Eres mi religión" by Maná, Joy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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