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ISRC

MXF019100013

Dos horas de balazos2

Song: DOS HORAS DE BALAZOS

Fernando Rosas
matched
Released 1990-01-01

Last verified:

MXF019100013 is the International Standard Recording Code (ISRC) for the recording “Dos horas de balazos” by Fernando Rosas, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SALVADOR FLORES, SALVADOR FLORES RIVERA.

Format

MXCountry
F01Registrant
91Year (1991)
00013Designation
Country:
ISO 3166-1 alpha-2 country code (MX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1991):
Last two digits of the reference year (1991). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SALVADOR FLORESComposer
PEER INTERNATIONAL CORP OriginalPublisher100.00%IPI: 00023764981
SALVADOR FLORES RIVERAComposer

Who publishes this song?

PEER INTERNATIONAL CORPOriginalPublisher
IPI: 00023764981

Credits Graph

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Dos horas de balazos" by Fernando Rosas?
The ISRC for "Dos horas de balazos" by Fernando Rosas is MXF019100013.
Who wrote "Dos horas de balazos"?
"Dos horas de balazos" was written by SALVADOR FLORES, SALVADOR FLORES RIVERA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC MXF019100013?

MXF019100013 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Dos horas de balazos” by Fernando Rosas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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