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Las rejas no matan album cover

ISRC

MXF016700203

Las rejas no matan2

Song: LAS REJAS NO MATAN

Miguel Aceves Mejía
unmatchedNot yet matched in the MLC database
Released 2002-12-10

Last verified:

MXF016700203 is the International Standard Recording Code (ISRC) for the recording “Las rejas no matan” by Miguel Aceves Mejía, released 2002-12-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

MXCountry
F01Registrant
67Year (1967)
00203Designation
Country:
ISO 3166-1 alpha-2 country code (MX).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Las rejas no matan" by Miguel Aceves Mejía?
The ISRC for "Las rejas no matan" by Miguel Aceves Mejía is MXF016700203.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC MXF016700203?

MXF016700203 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Las rejas no matan” by Miguel Aceves Mejía. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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