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ISRC

KRA402000193

Get Ready2

Song: GET READY

PerryY.G. Family
matched
Released 2001-09-04

Last verified:

KRA402000193 is the International Standard Recording Code (ISRC) for the recording “Get Ready” by Perry, Y.G. Family, released 2001-09-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by YANG HYEON SEOG, PERRY.

Format

KRCountry
A40Registrant
20Year (2020)
00193Designation
Country:
ISO 3166-1 alpha-2 country code (KR).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

YANG HYEON SEOGComposer
PERRYComposer

MLC Song Code

G5778O
Verify on MLC Portal →
SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Get Ready" by Perry?
The ISRC for "Get Ready" by Perry, Y.G. Family is KRA402000193.
Who wrote "Get Ready"?
"Get Ready" was written by YANG HYEON SEOG, PERRY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC KRA402000193?

KRA402000193 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Get Ready” by Perry, Y.G. Family. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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