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石ころの気持ち album cover

ISRC

JPU902305472

石ころの気持ち2

Song: ISHIKORONO KIMOCHI

ネクライトーキー
matched
Released 2024-02-21

Last verified:

JPU902305472 is the International Standard Recording Code (ISRC) for the recording “石ころの気持ち” by ネクライトーキー, released 2024-02-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by REN ASAHI (PKA ASAHI).

Format

JPCountry
U90Registrant
23Year (2023)
05472Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

REN ASAHI (PKA ASAHI)ComposerLyricist
SONY MUSIC PUBLISHING (JAPAN) INC OriginalPublisherIPI: 00175421868
SONY/ATV TUNES LLC SubPublisherIPI: 00338164558

Who publishes this song?

SONY MUSIC PUBLISHING (JAPAN) INCOriginalPublisher
IPI: 00175421868
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558

Credits Graph

MLC Song Code

I31DGC
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "石ころの気持ち" by ネクライトーキー?
The ISRC for "石ころの気持ち" by ネクライトーキー is JPU902305472.
Who wrote "石ころの気持ち"?
"石ころの気持ち" was written by REN ASAHI (PKA ASAHI).
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPU902305472?

JPU902305472 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “石ころの気持ち” by ネクライトーキー. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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