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ガンマンのブルース album cover

ISRC

JPPO02103345

ガンマンのブルース2

Song: GUNMAN NO BLUES

中山ラビ
matched
Released 1980-01-01

Last verified:

JPPO02103345 is the International Standard Recording Code (ISRC) for the recording “ガンマンのブルース” by 中山ラビ, released 1980-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RABI NAKAYAMA.

Format

JPCountry
PO0Registrant
21Year (2021)
03345Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

RABI NAKAYAMAComposer
UNIVERSAL - MCA MUSIC K.K. OriginalPublisher
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP. RightsAdministratorIPI: 00343667743

Who publishes this song?

UNIVERSAL - MCA MUSIC K.K.OriginalPublisher
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP.RightsAdministrator
IPI: 00343667743

Credits Graph

MLC Song Code

G20636
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "ガンマンのブルース" by 中山ラビ?
The ISRC for "ガンマンのブルース" by 中山ラビ is JPPO02103345.
Who wrote "ガンマンのブルース"?
"ガンマンのブルース" was written by RABI NAKAYAMA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPPO02103345?

JPPO02103345 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ガンマンのブルース” by 中山ラビ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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