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Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: No. 9, Schafe können sicher weiden album cover

ISRC

JPP592100001

Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: No. 9, Schafe können sicher weiden2

Kotaro Fukuma

Last verified:

JPP592100001 is the International Standard Recording Code (ISRC) for the recording “Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: No. 9, Schafe können sicher weiden” by Kotaro Fukuma. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
P59Registrant
21Year (2021)
00001Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainzNotes2 sources

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People also ask

What is the ISRC for "Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: No. 9, Schafe können sicher weiden" by Kotaro Fukuma?
The ISRC for "Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: No. 9, Schafe können sicher weiden" by Kotaro Fukuma is JPP592100001.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPP592100001?

JPP592100001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: No. 9, Schafe können sicher weiden” by Kotaro Fukuma. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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