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LOCK ON☆ザ☆御NEW世界 album cover

ISRC

JPP300700361

LOCK ON☆ザ☆御NEW世界2

Song: LOCK ON THE BRAND NEW WORLD

アンティック-珈琲店-
matched
Released 2006-11-28

Last verified:

JPP300700361 is the International Standard Recording Code (ISRC) for the recording “LOCK ON☆ザ☆御NEW世界” by アンティック-珈琲店-, released 2006-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AKIHARU (PKA:MIKU) TSUKIYAMA, SHINYA (PKA:KANON) SANO, TERUKI (PKA:TERUKI) NAGATA, and others.

Format

JPCountry
P30Registrant
07Year (2007)
00361Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

AKIHARU (PKA:MIKU) TSUKIYAMAComposer
SHINYA (PKA:KANON) SANOComposer
TERUKI (PKA:TERUKI) NAGATAComposer
KAZUHIKO (BOU) SAITOComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "LOCK ON☆ザ☆御NEW世界" by アンティック-珈琲店-?
The ISRC for "LOCK ON☆ザ☆御NEW世界" by アンティック-珈琲店- is JPP300700361.
Who wrote "LOCK ON☆ザ☆御NEW世界"?
"LOCK ON☆ザ☆御NEW世界" was written by AKIHARU (PKA:MIKU) TSUKIYAMA, SHINYA (PKA:KANON) SANO, TERUKI (PKA:TERUKI) NAGATA, KAZUHIKO (BOU) SAITO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPP300700361?

JPP300700361 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LOCK ON☆ザ☆御NEW世界” by アンティック-珈琲店-. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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