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濡らした唇でキスをして album cover

ISRC

JPKI01210637

濡らした唇でキスをして

Song: NURASHITA KUCHIBIRUDE KISUO SHITE

摩天楼オペラ
unmatchedNot yet matched in the MLC database
Released 2012-03-07

Last verified:

JPKI01210637 is the International Standard Recording Code (ISRC) for the recording “濡らした唇でキスをして” by 摩天楼オペラ, released 2012-03-07. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATENROU OPERA SONO.

Format

JPCountry
KI0Registrant
12Year (2012)
10637Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MATENROU OPERA SONOComposer
SEVEN SEAS MUSIC CO. LTD. OriginalPublisher0.00%IPI: 00028440003
SONY/ATV TUNES LLC SubPublisher100.00%IPI: 00338164558

Who publishes this song?

SEVEN SEAS MUSIC CO. LTD.OriginalPublisher
IPI: 00028440003
SONY/ATV TUNES LLCSubPublisher
IPI: 00338164558

Credits Graph

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "濡らした唇でキスをして" by 摩天楼オペラ?
The ISRC for "濡らした唇でキスをして" by 摩天楼オペラ is JPKI01210637.
Who wrote "濡らした唇でキスをして"?
"濡らした唇でキスをして" was written by MATENROU OPERA SONO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPKI01210637?

JPKI01210637 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “濡らした唇でキスをして” by 摩天楼オペラ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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