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夢の旅の夢 オリジナル・カラオケ album cover

ISRC

JPCO09501948

夢の旅の夢 オリジナル・カラオケ2

Song: YUMENO TABINO YUME

小林清美
matched
Released 1995-03-01

Last verified:

JPCO09501948 is the International Standard Recording Code (ISRC) for the recording “夢の旅の夢 オリジナル・カラオケ” by 小林清美, released 1995-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KEI OGURA.

Format

JPCountry
CO0Registrant
95Year (1995)
01948Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KEI OGURAComposer
UNIVERSAL - MCA MUSIC K.K. OriginalPublisher0.00%
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP. RightsAdministrator100.00%IPI: 00343667743

Who publishes this song?

UNIVERSAL - MCA MUSIC K.K.OriginalPublisher
UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP.RightsAdministrator
IPI: 00343667743
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "夢の旅の夢 オリジナル・カラオケ" by 小林清美?
The ISRC for "夢の旅の夢 オリジナル・カラオケ" by 小林清美 is JPCO09501948.
Who wrote "夢の旅の夢 オリジナル・カラオケ"?
"夢の旅の夢 オリジナル・カラオケ" was written by KEI OGURA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPCO09501948?

JPCO09501948 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “夢の旅の夢 オリジナル・カラオケ” by 小林清美. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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