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ISRC

JPCO02207250

なんどでも笑おう

天海春香中村繪里子如月千早今井麻美星井美希長谷川明子萩原雪歩浅倉杏美高槻やよい仁後真耶子秋月律子若林直美三浦あずさたかはし智秋水瀬伊織釘宮理恵菊地真平田宏美双海亜美真美下田麻美四条貴音原由実我那覇響沼倉愛美奥空心白田中あいみ亜夜日高里菜
Released 2022-04-13

Last verified:

JPCO02207250 is the International Standard Recording Code (ISRC) for the recording "なんどでも笑おう" by 天海春香, 中村繪里子, 如月千早, 今井麻美, 星井美希, 長谷川明子, 萩原雪歩, 浅倉杏美, 高槻やよい, 仁後真耶子, 秋月律子, 若林直美, 三浦あずさ, たかはし智秋, 水瀬伊織, 釘宮理恵, 菊地真, 平田宏美, 双海亜美, 真美, 下田麻美, 四条貴音, 原由実, 我那覇響, 沼倉愛美, 奥空心白, 田中あいみ, 亜夜, 日高里菜, released 2022-04-13. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
CO0Registrant
22Year (2022)
07250Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "なんどでも笑おう" by 天海春香?
The ISRC for "なんどでも笑おう" by 天海春香, 中村繪里子, 如月千早, 今井麻美, 星井美希, 長谷川明子, 萩原雪歩, 浅倉杏美, 高槻やよい, 仁後真耶子, 秋月律子, 若林直美, 三浦あずさ, たかはし智秋, 水瀬伊織, 釘宮理恵, 菊地真, 平田宏美, 双海亜美, 真美, 下田麻美, 四条貴音, 原由実, 我那覇響, 沼倉愛美, 奥空心白, 田中あいみ, 亜夜, 日高里菜 is JPCO02207250.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPCO02207250?

JPCO02207250 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "なんどでも笑おう" by 天海春香, 中村繪里子, 如月千早, 今井麻美, 星井美希, 長谷川明子, 萩原雪歩, 浅倉杏美, 高槻やよい, 仁後真耶子, 秋月律子, 若林直美, 三浦あずさ, たかはし智秋, 水瀬伊織, 釘宮理恵, 菊地真, 平田宏美, 双海亜美, 真美, 下田麻美, 四条貴音, 原由実, 我那覇響, 沼倉愛美, 奥空心白, 田中あいみ, 亜夜, 日高里菜. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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