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ISRC

JPBV09209082

Carnival of the Animals: I. Introduction and Royal March of the Lion

Song: Le Carnaval des animaux : I. Introduction et marche royale du lion

John BrowningGarrick OhlssonBoston Symphony OrchestraSeiji Ozawa
Released 2008-01-01

Last verified:

JPBV09209082 is the International Standard Recording Code (ISRC) for the recording "Carnival of the Animals: I. Introduction and Royal March of the Lion" by John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa, released 2008-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

JPCountry
BV0Registrant
92Year (1992)
09082Designation
Country:
ISO 3166-1 alpha-2 country code (JP).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Carnival of the Animals: I. Introduction and Royal March of the Lion" by John Browning?
The ISRC for "Carnival of the Animals: I. Introduction and Royal March of the Lion" by John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa is JPBV09209082.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC JPBV09209082?

JPBV09209082 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Carnival of the Animals: I. Introduction and Royal March of the Lion" by John Browning, Garrick Ohlsson, Boston Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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