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ISRC

ITUR31710077

LABYRINTH - WOM CUT

Song: LABYRINTH

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ITUR31710077 is the International Standard Recording Code (ISRC) for the recording “LABYRINTH - WOM CUT”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LAVON VAN DER TOORN, DANIEL DESZOE KARELLY, JAN GUENTHER, and others.

Format

ITCountry
UR3Registrant
17Year (2017)
10077Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLABYRINTH - WOM CUT
IPILAVON VAN DER TOORN

Related

Songwriter profiles

LAVON VAN DER TOORNIPIDANIEL DESZOE KARELLYIPIJAN GUENTHERIPITHILO ERHARDTIPIAXEL STEINBISSIPICHRISTIAN KREUTZERIPIMATTEO CAPREOLIIPISEVKET DIRICANIPISAMY SORGEIPIJULIAN PAUL VON DOHNANYIIPI

People also ask

What is the ISRC for "LABYRINTH - WOM CUT"?
The ISRC for "LABYRINTH - WOM CUT" is ITUR31710077.
Who wrote "LABYRINTH - WOM CUT"?
"LABYRINTH - WOM CUT" was written by LAVON VAN DER TOORN, DANIEL DESZOE KARELLY, JAN GUENTHER, THILO ERHARDT, AXEL STEINBISS, JULIAN MAIER-HAUFF, CHRISTIAN KREUTZER, MATTEO CAPREOLI, SEVKET DIRICAN, SAMY SORGE, JULIAN PAUL VON DOHNANYI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITUR31710077?

ITUR31710077 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LABYRINTH - WOM CUT”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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