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ISRC

ITN320922027

Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato

Song: Niccolò Paganini a Mr. Henry, MS 65: II. Allegro moderato

Franco TraversoRino VernizziOrchestra da Camera di Genova

Last verified:

ITN320922027 is the International Standard Recording Code (ISRC) for the recording "Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato" by Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ITCountry
N32Registrant
09Year (2009)
22027Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato" by Franco Traverso?
The ISRC for "Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato" by Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova is ITN320922027.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITN320922027?

ITN320922027 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Niccolò Paganini a Mr. Henry M.S. 65: II. Allegro moderato" by Franco Traverso, Rino Vernizzi, Orchestra da Camera di Genova. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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