Das Buch der hängenden Gärten, op. 15: Da meine Lippen reglos sind und brennen album cover

ISRC

ITLF52005222

Das Buch der hängenden Gärten, op. 15: Da meine Lippen reglos sind und brennen

Song: Das Buch der hängenden Gärten, op. 15: IV. Da meine Lippen reglos sind und brennen

Joo ChoMarino Nahon
Released 2021-02-26

Last verified:

ITLF52005222 is the International Standard Recording Code (ISRC) for the recording “Das Buch der hängenden Gärten, op. 15: Da meine Lippen reglos sind und brennen by Joo Cho, Marino Nahon, released 2021-02-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ITCountry
LF5Registrant
20Year (2020)
05222Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Das Buch der hängenden Gärten, op. 15: Da meine Lippen reglos sind und brennen" by Joo Cho?
The ISRC for "Das Buch der hängenden Gärten, op. 15: Da meine Lippen reglos sind und brennen" by Joo Cho, Marino Nahon is ITLF52005222.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITLF52005222?

ITLF52005222 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Das Buch der hängenden Gärten, op. 15: Da meine Lippen reglos sind und brennen by Joo Cho, Marino Nahon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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