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Andante et Intermezzo: Intermezzo album cover

ISRC

ITJXZ2300347

Andante et Intermezzo: Intermezzo2

Song: ANDANTE ET INTERMEZZO

Célia Oneto BensaidHéloïse LuzzatiAlexandre Pascal
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Last verified:

ITJXZ2300347 is the International Standard Recording Code (ISRC) for the recording "Andante et Intermezzo: Intermezzo" by Célia Oneto Bensaid, Héloïse Luzzati, Alexandre Pascal. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLÉMENCE DE GRANDVAL.

Format

ITCountry
JXZRegistrant
23Year (2023)
00347Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CLÉMENCE DE GRANDVALComposerLyricist
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Andante et Intermezzo: Intermezzo" by Célia Oneto Bensaid?
The ISRC for "Andante et Intermezzo: Intermezzo" by Célia Oneto Bensaid, Héloïse Luzzati, Alexandre Pascal is ITJXZ2300347.
Who wrote "Andante et Intermezzo: Intermezzo"?
"Andante et Intermezzo: Intermezzo" was written by CLÉMENCE DE GRANDVAL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITJXZ2300347?

ITJXZ2300347 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Andante et Intermezzo: Intermezzo" by Célia Oneto Bensaid, Héloïse Luzzati, Alexandre Pascal. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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