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ISRC

ITH641932393

INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX

Song: INFINITE LOVE

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ITH641932393 is the International Standard Recording Code (ISRC) for the recording “INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TALIB KWELI, FRANK E FITZPATRICK, TARENO UPSHAW, and others.

Format

ITCountry
H64Registrant
19Year (2019)
32393Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCINFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX
IPITALIB KWELI

Related

Songwriter profiles

TALIB KWELIIPIFRANK E FITZPATRICKIPITARENO UPSHAWIPI

People also ask

What is the ISRC for "INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX"?
The ISRC for "INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX" is ITH641932393.
Who wrote "INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX"?
"INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX" was written by TALIB KWELI, FRANK E FITZPATRICK, TARENO UPSHAW, DEREK SAFO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITH641932393?

ITH641932393 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “INFINITE LOV (GOTHIC FESTIVAL DUBSTEP) - ORIGINAL MIX”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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