I Want to Be Happy (#2 Master) album cover

ISRC

ITH401000150

I Want to Be Happy (#2 Master)2

Song: I WANT TO BE HAPPY

Lino PatrunoOscar Klein Jazz Band
matched
Released 1983-07-06

Last verified:

ITH401000150 is the International Standard Recording Code (ISRC) for the recording "I Want to Be Happy (#2 Master)" by Lino Patruno, Oscar Klein Jazz Band, released 1983-07-06. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by IRVING CAESAR, VINCENT YOUMANS.

Format

ITCountry
H40Registrant
10Year (2010)
00150Designation
Country:
ISO 3166-1 alpha-2 country code (IT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

IRVING CAESARComposer
VINCENT YOUMANSComposer

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I Want to Be Happy (#2 Master)" by Lino Patruno?
The ISRC for "I Want to Be Happy (#2 Master)" by Lino Patruno, Oscar Klein Jazz Band is ITH401000150.
Who wrote "I Want to Be Happy (#2 Master)"?
"I Want to Be Happy (#2 Master)" was written by IRVING CAESAR, VINCENT YOUMANS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ITH401000150?

ITH401000150 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I Want to Be Happy (#2 Master)" by Lino Patruno, Oscar Klein Jazz Band. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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