Maan Meri Jaan (Afterlife) album cover

ISRC

INW262300241

Maan Meri Jaan (Afterlife)

Song: MAAN MERI JAAN (AFTERLIFE)

KingNick Jonas
unmatchedNot yet matched in the MLC database
Released 2023-03-10

Last verified:

INW262300241 is the International Standard Recording Code (ISRC) for the recording "Maan Meri Jaan (Afterlife)" by King, Nick Jonas, released 2023-03-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIRANDA GLORY INZUNZA, NATANIA LALWANI, DAVID ARKWRIGHT, and others.

Format

INCountry
W26Registrant
23Year (2023)
00241Designation
Country:
ISO 3166-1 alpha-2 country code (IN).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMaan Meri Jaan (Afterlife)

People also ask

What is the ISRC for "Maan Meri Jaan (Afterlife)" by King?
The ISRC for "Maan Meri Jaan (Afterlife)" by King, Nick Jonas is INW262300241.
Who wrote "Maan Meri Jaan (Afterlife)"?
"Maan Meri Jaan (Afterlife)" was written by MIRANDA GLORY INZUNZA, NATANIA LALWANI, DAVID ARKWRIGHT, PARIS CARNEY, NICHOLAS JERRY JONAS, SAURABH LOKHANDE, ARPAN KUMAR CHANDEL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC INW262300241?

INW262300241 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Maan Meri Jaan (Afterlife)" by King, Nick Jonas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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