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Pyar Mein Kabhi Kabhi album cover

ISRC

INUM70500233

Pyar Mein Kabhi Kabhi2

Song: PYAR MEIN KABHI KABHI

Shailendra SinghLata Mangeshkar
unmatchedNot yet matched in the MLC database
Released 1974-01-01

Last verified:

INUM70500233 is the International Standard Recording Code (ISRC) for the recording “Pyar Mein Kabhi Kabhi” by Shailendra Singh, Lata Mangeshkar, released 1974-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BAPPI LAHIRI, AMIT KUMAR.

Format

INCountry
UM7Registrant
05Year (2005)
00233Designation
Country:
ISO 3166-1 alpha-2 country code (IN).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BAPPI LAHIRIComposer
AMIT KUMARComposer

Credits Graph

MLC Song Code

P28003
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Pyar Mein Kabhi Kabhi" by Shailendra Singh?
The ISRC for "Pyar Mein Kabhi Kabhi" by Shailendra Singh, Lata Mangeshkar is INUM70500233.
Who wrote "Pyar Mein Kabhi Kabhi"?
"Pyar Mein Kabhi Kabhi" was written by BAPPI LAHIRI, AMIT KUMAR.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC INUM70500233?

INUM70500233 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Pyar Mein Kabhi Kabhi” by Shailendra Singh, Lata Mangeshkar. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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