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ISRC

HKI199934815

Il Trionfo del Tempo e della Verita: Beauty and Pleasure

Claron McFaddenElisabeth SchollJunge KantoreiFrankfurt Baroque OrchestraJoachim Carlos Martini
Released 2003-09-01

Last verified:

HKI199934815 is the International Standard Recording Code (ISRC) for the recording "Il Trionfo del Tempo e della Verita: Beauty and Pleasure" by Claron McFadden, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini, released 2003-09-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
99Year (1999)
34815Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Il Trionfo del Tempo e della Verita: Beauty and Pleasure" by Claron McFadden?
The ISRC for "Il Trionfo del Tempo e della Verita: Beauty and Pleasure" by Claron McFadden, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini is HKI199934815.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199934815?

HKI199934815 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Il Trionfo del Tempo e della Verita: Beauty and Pleasure" by Claron McFadden, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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