Piano Concerto no. 1, op. 45: II. Andante ma rubato album cover

ISRC

HKI199823005

Piano Concerto no. 1, op. 45: II. Andante ma rubato2

Song: PIANO CONCERTO NO 1 OP 45

Laura MikkolaRoyal Scottish National OrchestraHannu Lintu
unmatchedNot yet matched in the MLC database
Released 1998-12-28

Last verified:

HKI199823005 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 1, op. 45: II. Andante ma rubato by Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu, released 1998-12-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
98Year (1998)
23005Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Piano Concerto no. 1, op. 45: II. Andante ma rubato" by Laura Mikkola?
The ISRC for "Piano Concerto no. 1, op. 45: II. Andante ma rubato" by Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu is HKI199823005.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199823005?

HKI199823005 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piano Concerto no. 1, op. 45: II. Andante ma rubato by Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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