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La jolie fille de Gand, Act II, Tableau 3 (Ball Room): Après le galopp album cover

ISRC

HKI199819511

La jolie fille de Gand, Act II, Tableau 3 (Ball Room): Après le galopp

Song: La Jolie Fille de Gand: Act II

Queensland Symphony OrchestraAndrew Mogrelia
Released 2022-01-28

Last verified:

HKI199819511 is the International Standard Recording Code (ISRC) for the recording “La jolie fille de Gand, Act II, Tableau 3 (Ball Room): Après le galopp” by Queensland Symphony Orchestra, Andrew Mogrelia, released 2022-01-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
98Year (1998)
19511Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La jolie fille de Gand, Act II, Tableau 3 (Ball Room): Après le galopp" by Queensland Symphony Orchestra?
The ISRC for "La jolie fille de Gand, Act II, Tableau 3 (Ball Room): Après le galopp" by Queensland Symphony Orchestra, Andrew Mogrelia is HKI199819511.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199819511?

HKI199819511 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La jolie fille de Gand, Act II, Tableau 3 (Ball Room): Après le galopp” by Queensland Symphony Orchestra, Andrew Mogrelia. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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