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ISRC

HKI199806312

La traviata: Atto IV. "Annina? - Comandate?"

Song: La traviata: Atto III. “Annina?… Comandate?” (Violetta, Annina, Dottore)

Paolo AnanianRosa PonselleHenriette WakefieldMetropolitan Opera OrchestraEttore Panizza
Released 1998-01-12

Last verified:

HKI199806312 is the International Standard Recording Code (ISRC) for the recording "La traviata: Atto IV. "Annina? - Comandate?"" by Paolo Ananian, Rosa Ponselle, Henriette Wakefield, Metropolitan Opera Orchestra, Ettore Panizza, released 1998-01-12. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
98Year (1998)
06312Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "La traviata: Atto IV. "Annina? - Comandate?"" by Paolo Ananian?
The ISRC for "La traviata: Atto IV. "Annina? - Comandate?"" by Paolo Ananian, Rosa Ponselle, Henriette Wakefield, Metropolitan Opera Orchestra, Ettore Panizza is HKI199806312.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199806312?

HKI199806312 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "La traviata: Atto IV. "Annina? - Comandate?"" by Paolo Ananian, Rosa Ponselle, Henriette Wakefield, Metropolitan Opera Orchestra, Ettore Panizza. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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