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ISRC

HKI199752706

Król Roger, op. 46, Akt III: „Edrisi, już świt!” (Król Roger)

Song: Król Roger: Act III. Edrisi, już świt!

Andrzej HiolskiPolish State Philharmonic Orchestra (Katowice)Karol Stryja
Released 1998-04-01

Last verified:

HKI199752706 is the International Standard Recording Code (ISRC) for the recording "Król Roger, op. 46, Akt III: „Edrisi, już świt!” (Król Roger)" by Andrzej Hiolski, Polish State Philharmonic Orchestra (Katowice), Karol Stryja, released 1998-04-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
97Year (1997)
52706Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1997):
Last two digits of the reference year (1997). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Król Roger, op. 46, Akt III: „Edrisi, już świt!” (Król Roger)" by Andrzej Hiolski?
The ISRC for "Król Roger, op. 46, Akt III: „Edrisi, już świt!” (Król Roger)" by Andrzej Hiolski, Polish State Philharmonic Orchestra (Katowice), Karol Stryja is HKI199752706.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199752706?

HKI199752706 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Król Roger, op. 46, Akt III: „Edrisi, już świt!” (Król Roger)" by Andrzej Hiolski, Polish State Philharmonic Orchestra (Katowice), Karol Stryja. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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