ISRC
Il trovatore, Act II: “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ferrando e seguaci, Ines e coro di religiose, Ruiz e armati)
Song: Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers)
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HKI199591125 is the International Standard Recording Code (ISRC) for the recording “Il trovatore, Act II: “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ferrando e seguaci, Ines e coro di religiose, Ruiz e armati)” by Daniela Longhi, Roberto Servile, Maurizio Frusoni, Franco de Grandis, Zsuzsa Csonka, József Mukk, Budapest Festival Chorus, Hungarian State Opera Orchestra, Will Humburg. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
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HKI199591125 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Il trovatore, Act II: “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ferrando e seguaci, Ines e coro di religiose, Ruiz e armati)” by Daniela Longhi, Roberto Servile, Maurizio Frusoni, Franco de Grandis, Zsuzsa Csonka, József Mukk, Budapest Festival Chorus, Hungarian State Opera Orchestra, Will Humburg. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Ľuba Orgonášová, Slovak Radio Symphony Orchestra, Will Humburg
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HKI199249109Roberto Servile, Failoni Chamber Orchestra, Will Humburg
HKI199320808HKI199591125 is the International Standard Recording Code (ISRC) for the recording “Il trovatore, Act II: “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ferrando e seguaci, Ines e coro di religiose, Ruiz e armati)” by Daniela Longhi, Roberto Servile, Maurizio Frusoni, Franco de Grandis, Zsuzsa Csonka, József Mukk, Budapest Festival Chorus, Hungarian State Opera Orchestra, Will Humburg. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
