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ISRC

HKI199590428

Ascanio in Alba: Act I, Scene IV. Coro di pastori "Venga, venga, de'sommi eroi"

Song: Ascanio in Alba, K. 111: Act I, Scene IV. No. 15 Coro "Venga, de' sommi Eroi" (Coro di pastori)

Concerto ArmonicoJacques Grimbert
Released 1995-05-01

Last verified:

HKI199590428 is the International Standard Recording Code (ISRC) for the recording "Ascanio in Alba: Act I, Scene IV. Coro di pastori "Venga, venga, de'sommi eroi"" by Concerto Armonico, Jacques Grimbert, released 1995-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
95Year (1995)
90428Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Ascanio in Alba: Act I, Scene IV. Coro di pastori "Venga, venga, de'sommi eroi"" by Concerto Armonico?
The ISRC for "Ascanio in Alba: Act I, Scene IV. Coro di pastori "Venga, venga, de'sommi eroi"" by Concerto Armonico, Jacques Grimbert is HKI199590428.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199590428?

HKI199590428 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ascanio in Alba: Act I, Scene IV. Coro di pastori "Venga, venga, de'sommi eroi"" by Concerto Armonico, Jacques Grimbert. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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