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Lieder eines fahrenden Gesellen: Die zwei blauen Augen album cover

ISRC

HKI199402010

Lieder eines fahrenden Gesellen: Die zwei blauen Augen2

Song: LIEDER EINES FAHRENDEN GESELLEN (SONGS OF A WAYFARER)

Hidenori KomatsuNDR RadiophilharmonieCord Garben
unmatchedNot yet matched in the MLC database
Released 1999-05-01

Last verified:

HKI199402010 is the International Standard Recording Code (ISRC) for the recording “Lieder eines fahrenden Gesellen: Die zwei blauen Augen” by Hidenori Komatsu, NDR Radiophilharmonie, Cord Garben, released 1999-05-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
94Year (1994)
02010Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Lieder eines fahrenden Gesellen: Die zwei blauen Augen" by Hidenori Komatsu?
The ISRC for "Lieder eines fahrenden Gesellen: Die zwei blauen Augen" by Hidenori Komatsu, NDR Radiophilharmonie, Cord Garben is HKI199402010.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199402010?

HKI199402010 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Lieder eines fahrenden Gesellen: Die zwei blauen Augen” by Hidenori Komatsu, NDR Radiophilharmonie, Cord Garben. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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