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Le Roi malgré lui (The King in Spite of Himself): Fête polonaise album cover

ISRC

HKI199247904

Le Roi malgré lui (The King in Spite of Himself): Fête polonaise

Song: Le Roi malgré lui: Fête polonaise

Polish National Radio Symphony OrchestraRichard Hayman

Last verified:

HKI199247904 is the International Standard Recording Code (ISRC) for the recording “Le Roi malgré lui (The King in Spite of Himself): Fête polonaise” by Polish National Radio Symphony Orchestra, Richard Hayman. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
92Year (1992)
47904Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Le Roi malgré lui (The King in Spite of Himself): Fête polonaise" by Polish National Radio Symphony Orchestra?
The ISRC for "Le Roi malgré lui (The King in Spite of Himself): Fête polonaise" by Polish National Radio Symphony Orchestra, Richard Hayman is HKI199247904.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199247904?

HKI199247904 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Le Roi malgré lui (The King in Spite of Himself): Fête polonaise” by Polish National Radio Symphony Orchestra, Richard Hayman. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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