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Concerto Grosso in G, op. 6 no. 1: Allegro album cover

ISRC

HKI199211116

Concerto Grosso in G, op. 6 no. 1: Allegro2

Song: ALLEGRO

Capella IstropolitanaRichard Edlinger
matched
Released 1988-01-01

Last verified:

HKI199211116 is the International Standard Recording Code (ISRC) for the recording “Concerto Grosso in G, op. 6 no. 1: Allegro” by Capella Istropolitana, Richard Edlinger, released 1988-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GEORGE FRIDERIC HANDEL, GEORGE BLAKE.

Format

HKCountry
I19Registrant
92Year (1992)
11116Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1992):
Last two digits of the reference year (1992). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Concerto Grosso in G, op. 6 no. 1: Allegro" by Capella Istropolitana?
The ISRC for "Concerto Grosso in G, op. 6 no. 1: Allegro" by Capella Istropolitana, Richard Edlinger is HKI199211116.
Who wrote "Concerto Grosso in G, op. 6 no. 1: Allegro"?
"Concerto Grosso in G, op. 6 no. 1: Allegro" was written by GEORGE FRIDERIC HANDEL, GEORGE BLAKE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI199211116?

HKI199211116 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto Grosso in G, op. 6 no. 1: Allegro” by Capella Istropolitana, Richard Edlinger. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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