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Neun Lieder und Gesänge, op. 32: No. 8. So stehn wir, ich und meine Weide album cover

ISRC

HKI192107623

Neun Lieder und Gesänge, op. 32: No. 8. So stehn wir, ich und meine Weide

Song: 9 Lieder und Gesänge, op. 32: Nr. 8. So stehn wir, ich und meine Weide

Christoph PrégardienUlrich Eisenlohr
Released 2021-12-03

Last verified:

HKI192107623 is the International Standard Recording Code (ISRC) for the recording “Neun Lieder und Gesänge, op. 32: No. 8. So stehn wir, ich und meine Weide” by Christoph Prégardien, Ulrich Eisenlohr, released 2021-12-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
21Year (2021)
07623Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Neun Lieder und Gesänge, op. 32: No. 8. So stehn wir, ich und meine Weide" by Christoph Prégardien?
The ISRC for "Neun Lieder und Gesänge, op. 32: No. 8. So stehn wir, ich und meine Weide" by Christoph Prégardien, Ulrich Eisenlohr is HKI192107623.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI192107623?

HKI192107623 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Neun Lieder und Gesänge, op. 32: No. 8. So stehn wir, ich und meine Weide” by Christoph Prégardien, Ulrich Eisenlohr. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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