Weep you no more, sad fountains album cover

ISRC

HKI191609902

Weep you no more, sad fountains2

Song: WEEP YOU NO MORE, SAD FOUNTAINS

The Carice SingersGeorge Parris
matched
Released 2016-07-08

Last verified:

HKI191609902 is the International Standard Recording Code (ISRC) for the recording “Weep you no more, sad fountains by The Carice Singers, George Parris, released 2016-07-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN DOWLAND, SERGIO ASSAD.

Format

HKCountry
I19Registrant
16Year (2016)
09902Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JOHN DOWLANDComposer
SERGIO ASSADComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Weep you no more, sad fountains" by The Carice Singers?
The ISRC for "Weep you no more, sad fountains" by The Carice Singers, George Parris is HKI191609902.
Who wrote "Weep you no more, sad fountains"?
"Weep you no more, sad fountains" was written by JOHN DOWLAND, SERGIO ASSAD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191609902?

HKI191609902 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Weep you no more, sad fountains by The Carice Singers, George Parris. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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