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4 Preludes, op. 61: no. 1. Pensieroso album cover

ISRC

HKI191516125

4 Preludes, op. 61: no. 1. Pensieroso2

Song: 4 PRELUDES FOR PIANO, OP. 61: NO. 1. PENSIEROSO

Joseph Banowetz
matched
Released 2017-03-01

Last verified:

HKI191516125 is the International Standard Recording Code (ISRC) for the recording "4 Preludes, op. 61: no. 1. Pensieroso" by Joseph Banowetz, released 2017-03-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by IGNAZ FRIEDMAN.

Format

HKCountry
I19Registrant
15Year (2015)
16125Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

IGNAZ FRIEDMANComposer
SourcesMusicBrainzMLC2 sources

Verified on

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Songwriter profiles

People also ask

What is the ISRC for "4 Preludes, op. 61: no. 1. Pensieroso" by Joseph Banowetz?
The ISRC for "4 Preludes, op. 61: no. 1. Pensieroso" by Joseph Banowetz is HKI191516125.
Who wrote "4 Preludes, op. 61: no. 1. Pensieroso"?
"4 Preludes, op. 61: no. 1. Pensieroso" was written by IGNAZ FRIEDMAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191516125?

HKI191516125 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "4 Preludes, op. 61: no. 1. Pensieroso" by Joseph Banowetz. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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