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Two Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante album cover

ISRC

HKI191423306

Two Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante

Song: 2 Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante

Nicky SpenceAndrew Matthews-Owen
Released 2014-12-01

Last verified:

HKI191423306 is the International Standard Recording Code (ISRC) for the recording “Two Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante” by Nicky Spence, Andrew Matthews-Owen, released 2014-12-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
14Year (2014)
23306Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Two Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante" by Nicky Spence?
The ISRC for "Two Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante" by Nicky Spence, Andrew Matthews-Owen is HKI191423306.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191423306?

HKI191423306 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Two Songs from Glamorgan: 1. In Pontypriss My Love Doth Dwell: Andante” by Nicky Spence, Andrew Matthews-Owen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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