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Violin Concerto in A major, op. 8: III. Finale: Vivace assai album cover

ISRC

HKI191025207

Violin Concerto in A major, op. 8: III. Finale: Vivace assai

Song: Violin Concerto in A major, op. 8: III. Vivace assai

Ilya KalerWarsaw Philharmonic OrchestraAntoni Wit
Released 2011-01-04

Last verified:

HKI191025207 is the International Standard Recording Code (ISRC) for the recording "Violin Concerto in A major, op. 8: III. Finale: Vivace assai" by Ilya Kaler, Warsaw Philharmonic Orchestra, Antoni Wit, released 2011-01-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
10Year (2010)
25207Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Violin Concerto in A major, op. 8: III. Finale: Vivace assai" by Ilya Kaler?
The ISRC for "Violin Concerto in A major, op. 8: III. Finale: Vivace assai" by Ilya Kaler, Warsaw Philharmonic Orchestra, Antoni Wit is HKI191025207.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI191025207?

HKI191025207 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Violin Concerto in A major, op. 8: III. Finale: Vivace assai" by Ilya Kaler, Warsaw Philharmonic Orchestra, Antoni Wit. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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