ISRC
La gazzetta, Atto II Scena undicesima: Coro. «Amor la danza mova» (Coro)
Song: La gazzetta: Atto II
Last verified:
HKI191000914 is the International Standard Recording Code (ISRC) for the recording “La gazzetta, Atto II Scena undicesima: Coro. «Amor la danza mova» (Coro)” by San Pietro a Majella Chorus, Naples, Czech Chamber Soloists, Brno, Christopher Franklin, released 2010-10-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
HKI191000914 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “La gazzetta, Atto II Scena undicesima: Coro. «Amor la danza mova» (Coro)” by San Pietro a Majella Chorus, Naples, Czech Chamber Soloists, Brno, Christopher Franklin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Marco Cristarella Orestano, Judith Gauthier, Giulio Mastrototaro, Michael Spyres, Rossella Bevacqua, Maria Soulis, Filippo Polinelli, Vincenzo Bruzzaniti, Ugo Mahieux, San Pietro a Majella Chorus, Naples, Czech Chamber Soloists, Brno, Christopher Franklin
HKI191000918Marco Cristarella Orestano, Czech Chamber Soloists, Brno, Christopher Franklin
HKI191000804Judith Gauthier, Giulio Mastrototaro, Czech Chamber Soloists, Brno, Christopher Franklin
HKI191000808HKI191000914 is the International Standard Recording Code (ISRC) for the recording “La gazzetta, Atto II Scena undicesima: Coro. «Amor la danza mova» (Coro)” by San Pietro a Majella Chorus, Naples, Czech Chamber Soloists, Brno, Christopher Franklin, released 2010-10-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.