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Polly: Act I: Air 10: Bury Fair: ‘How can you be so teazing?’ (Ducat, Polly) album cover

ISRC

HKI190951611

Polly: Act I: Air 10: Bury Fair: ‘How can you be so teazing?’ (Ducat, Polly)

Laura AlbinoJason NedeckyAradia EnsembleKevin Mallon

Last verified:

HKI190951611 is the International Standard Recording Code (ISRC) for the recording “Polly: Act I: Air 10: Bury Fair: ‘How can you be so teazing?’ (Ducat, Polly)” by Laura Albino, Jason Nedecky, Aradia Ensemble, Kevin Mallon. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
09Year (2009)
51611Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Polly: Act I: Air 10: Bury Fair: ‘How can you be so teazing?’ (Ducat, Polly)" by Laura Albino?
The ISRC for "Polly: Act I: Air 10: Bury Fair: ‘How can you be so teazing?’ (Ducat, Polly)" by Laura Albino, Jason Nedecky, Aradia Ensemble, Kevin Mallon is HKI190951611.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190951611?

HKI190951611 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Polly: Act I: Air 10: Bury Fair: ‘How can you be so teazing?’ (Ducat, Polly)” by Laura Albino, Jason Nedecky, Aradia Ensemble, Kevin Mallon. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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