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ISRC

HKI190937116

Te Deum: Te ergo quaesumus

Song: Te Deum: 3. Te ergo quaesumus

Chœur régional Nord-Pas de CalaisPhilippe DoKatarina JovanovicOrchestre national de LilleJean-Claude Casadesus
Released 2010-11-01

Last verified:

HKI190937116 is the International Standard Recording Code (ISRC) for the recording "Te Deum: Te ergo quaesumus" by Chœur régional Nord-Pas de Calais, Philippe Do, Katarina Jovanovic, Orchestre national de Lille, Jean-Claude Casadesus, released 2010-11-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

HKCountry
I19Registrant
09Year (2009)
37116Designation
Country:
ISO 3166-1 alpha-2 country code (HK).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Te Deum: Te ergo quaesumus" by Chœur régional Nord-Pas de Calais?
The ISRC for "Te Deum: Te ergo quaesumus" by Chœur régional Nord-Pas de Calais, Philippe Do, Katarina Jovanovic, Orchestre national de Lille, Jean-Claude Casadesus is HKI190937116.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC HKI190937116?

HKI190937116 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Te Deum: Te ergo quaesumus" by Chœur régional Nord-Pas de Calais, Philippe Do, Katarina Jovanovic, Orchestre national de Lille, Jean-Claude Casadesus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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