ISRC
Missa solemnis C-Dur, KV C1.20: Quoniam tu solus Sanctus
Last verified:
HKI190932805 is the International Standard Recording Code (ISRC) for the recording “Missa solemnis C-Dur, KV C1.20: Quoniam tu solus Sanctus” by Priska Eser-Streit, Andreas Hirtreiter, Robert Merwald, Roland Schneider, Simon Mayr Chorus, Georgisches Kammerorchester Ingolstadt, Franz Hauk. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
HKI190932805 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Missa solemnis C-Dur, KV C1.20: Quoniam tu solus Sanctus” by Priska Eser-Streit, Andreas Hirtreiter, Robert Merwald, Roland Schneider, Simon Mayr Chorus, Georgisches Kammerorchester Ingolstadt, Franz Hauk. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Thomas Albertus Irnberger, Michael Korstick, Georgisches Kammerorchester Ingolstadt, Martin Sieghart
ATG301809812Simon Mayr Chorus, Georgisches Kammerorchester Ingolstadt, Franz Hauk
HKI190932815Priska Eser-Streit, Robert Merwald, Merit Ostermann, Jörg Schneider, Simon Mayr Chorus, Georgisches Kammerorchester Ingolstadt, Franz Hauk
HKI190932817Simon Mayr Chorus, Georgisches Kammerorchester Ingolstadt, Franz Hauk
HKI190932806HKI190932805 is the International Standard Recording Code (ISRC) for the recording “Missa solemnis C-Dur, KV C1.20: Quoniam tu solus Sanctus” by Priska Eser-Streit, Andreas Hirtreiter, Robert Merwald, Roland Schneider, Simon Mayr Chorus, Georgisches Kammerorchester Ingolstadt, Franz Hauk. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
